卧龙%(战警

剧情简介

Having witnessed hi#/*_s junkie father killed Russell Stevens grows ]up to _,`be`c\ome  /(a policeman $% an
d make_ =,a differen*ce. When he %(is offe-r@;ed:) an un dercove !r (,,=job by- Ge [ra#@`%ld Carver h)e* accept=s /?*a
nd begins to ` ;bui``ld
 a re.!lationsh!ip with Da $vid : ?Jason in `.order to get to the mai(!#n de aler_
:s. However as he i_@ s forced to dea)$l dr!ugs and)\ kill^ to ]^$[keep his c?.^over he finds t%;he .:%.lines between co+p and=@ criminal b./%eing!
lost /– is he a $?cop
:* pretending to ] be a
@` deal@er or)@ [,a deale[_:r pr;)=e=.?t! %en[:din\g (@to(_ be a%
)^ cop　　La+!rry (a@s_= he w+_as then) Fishbu=rne's first( lead role was a @:]typi]c)al=$-ly dark vehicl;e. The\,` story is the us\](u!$al #one of c$op losing himsel`*f ?`when undercover, howev.?er ]?it manages to  be mo#]\re \]than(\? tha;]+t for most ,.(of the time. Co-w: r/^itten +b.!^y T$- olki;*n, w]ho$ wrot.=?e Th)e Play=^er`/, #]-this nat: ur= all*y]% has,^ a /
[nice cynical edge to it #+ w$ [hen it looks at the US's hy@poc[-_ @ritic$/+al a@ pproa -+[ch to dr: ?[ug c!$` on
+trol )and( the ]po@_[litical li[
.nks betw./een :the st\; re_e+
`t hustlers and the political high roller\s who co`urt respectability. T
:$h$^;e story* d?*oes eventually $?settle into? a traditional [ ;_setting)  b ut=+  even the?n it works we` ll a#[s a thriller.　　The mult\i-talented Bill Duke directs we`ll-- with @- (- *a gritty feel and a ;] +few ni`ce touches. However several @^things ar) e%  $#a bit +?iffy. For most o )f the fi \=lm Fish@
/burne's .)@narra
tionvo
=.ice # ov/=: er+ is a b`]it like a cross betwe`])en Apocalypse Now and Blade Runner – ]/ it comes[ +, across as# a +,\*l:it /`t$le too dark and h:(*eavy and also expl?ains things lik ?
e\
^ we);+; ca# n?'t fi@gure :(it out ours!!elves. *H@owever onc_*[/e you get i@ nto the film ))@ _=it's n/ot  as big a deal.
. My \main p%!@roblem lies ;# w^ith the :c hara@!c
@ters.　　Fis.`hburne is excel$@l$ent, a` real mo,=del  _o@f underlying anger and violence, @ Gold?*bl.um.-. i-s good but perhaps) a li:./ttle OTT on$+ t`he yuppie+(v^!iolence thin^! g, but ?!,there's@ go$+?-o]! d suppo$ rt f#rom Smith and Spin? City's beaut@;ifu( l ]=(and often **+;unde%,rused – but no#;t here) V-?ictoria Dillard. / However the two ma+\ in white c@;hara.::cters (@(G%
`o-ldblum and Smith) are. both s@*(mear =ed wit:
+ h racist^ insinua/tions – Smith app\$%ears
)@ to insult ] his% black] officers and doesn't care `abou*$t the. ju`nkie=s\`$, whil^ e Goldblum is fasci n+@#ated_ abo:^+ut al#,l t*+hings; black a:nd?;! talks ab=o ut them as wild b--:eau (tif?u+l bea`st_s and l;@oves ^
 having sex with black'. (; The)se t[(h:ing[?`)s are
])?n/+/'t a major\_ problem, but wit !\h basically only ,+two:. -* wh[\!i:+/t`?e characters in i([t, */it's a li(?tt \le worrying that both are given that edge.　　`?However t]\hese a[re mi*n
).or complaints that get lost  @with +$(a good th.
: riller. F_ishburne exce:$$;ls and Duke
\ ;deliv
^ers a sto$::ry that is a good][ th=*
ril[
\ler but al?so h@]a*$s /a jaded=(, subve%rsiv e edge.