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This is a b#๐Ÿคฅ๐Ÿ™ƒrilliant surrealisti+^๐Ÿ˜‚๐Ÿค’c fi๐Ÿ™‚๐Ÿ˜’lm.ใ€€ใ€€Bu๐Ÿ˜’t ๐Ÿ˜€๐Ÿ˜” a๐Ÿ˜๐Ÿ˜˜๐Ÿ˜lso a ๐Ÿค‘fully rea[๐Ÿ˜™๐Ÿ˜Œlist๐Ÿค’๐Ÿ˜†ic ๐Ÿคฎ๐Ÿ˜„story about a time when ๐Ÿคซ๐Ÿ˜„the brave ๐Ÿ˜๐Ÿ˜ƒ[avant-guarde artists were t(๐Ÿค•!ry๐Ÿ˜„๐Ÿ˜ฌing๐Ÿค‘] to ๐Ÿ˜๐Ÿค—explore the u๐Ÿ˜ท๐Ÿ˜‡`+nknown land๐Ÿ˜œ๐Ÿ˜šscape๐Ÿ˜˜s of hum๐Ÿคฅ๐Ÿค”`๐Ÿ˜ƒ๐Ÿคชa๐Ÿค—๐Ÿ˜‚๐Ÿ˜€n possibi๐Ÿค’litie๐Ÿ˜™๐Ÿ˜‡s.ใ€€ใ€€T#๐Ÿ˜ฌhe๐Ÿคฎ๐Ÿ˜ con๐Ÿ˜Š t๐Ÿคซ๐Ÿ˜—ras๐Ÿ˜๐Ÿ˜๐Ÿ˜št between^๐Ÿคฃ๐Ÿคค two r๐Ÿค‘$?ealities the poor๐Ÿ˜๐Ÿคช v๐Ÿ˜œ๐Ÿ˜”illage\๐Ÿ˜… and the d_`๐Ÿ˜šadaist ๐Ÿค’[a๐Ÿคซrtists i๐Ÿ˜๐Ÿ˜ฌ๐Ÿ™ƒs ;๐Ÿ˜„๐Ÿ˜…shown very s๐Ÿ˜…\๐Ÿคขmart a๐Ÿ˜ (๐Ÿฅฐnd bri๐Ÿ™ƒ)`ngs ๐Ÿ˜›๐Ÿค—๐Ÿคthe possibility of cha-๐Ÿค’nging the wo`$`r๐Ÿ˜‚๐Ÿ˜œ\๐Ÿคld by t`๐Ÿ˜—_=๐Ÿ™‚he art๐Ÿ˜ช๐Ÿ˜€[=.ใ€€ใ€€U_๐Ÿ˜€nfor๐Ÿฅฐ๐Ÿคจ$t๐Ÿ™‚$`una(๐Ÿค”๐Ÿคช๐Ÿค—๐Ÿ˜›tely, that p๐Ÿ˜ƒ๐Ÿคข rogressi ve id๐Ÿ˜‡^๐Ÿ˜šeals ๐Ÿค•of ma)๐Ÿ™ƒking t๐Ÿ™„๐Ÿคฃhe world b%๐Ÿคคet๐Ÿ˜ด๐Ÿ˜Š๐Ÿ˜Šter by ]re๐Ÿ˜‘๐Ÿ˜˜[[vealing new area(๐Ÿ˜…s=\๐Ÿคฎ ๐Ÿ˜”๐Ÿ˜ฌ/๐Ÿคคof imagina๐Ÿคฃtion,๐Ÿคช๐Ÿ™„ that ruled ๐Ÿ˜Š% i๐Ÿค‘๐Ÿคฅn๐Ÿค๐Ÿ˜‰๐Ÿ˜” the๐Ÿคจ_\ first ๐Ÿ˜‡*h๐Ÿคชalf of@๐Ÿ˜‡๐Ÿคซ _(XX๐Ÿค•] centur-,๐Ÿ˜™y, wer๐Ÿ˜˜e c*๐Ÿ˜šrush๐Ÿ˜ช๐Ÿ™‚๐Ÿค”-ed by the war๐Ÿคฅ:%.๐Ÿ˜ใ€€%๐Ÿ˜Š%๐Ÿ™‚ใ€€And, the tragedy ^๐Ÿ˜†๐Ÿ˜‚๐Ÿคญ\fini๐Ÿค‘/๐Ÿ˜ƒshes the a๐Ÿ˜rti ๐Ÿคฃ๐Ÿ˜„s๐Ÿคช๐Ÿ™„๐Ÿคช๐Ÿ˜„tic i๐Ÿ˜‰ d๐Ÿค”๐Ÿ˜€eals ar๐Ÿ˜™#๐Ÿ˜)e dead, international art bro๐Ÿคค๐Ÿ˜›t๐Ÿ˜›๐Ÿ˜$herho๐Ÿคฅod๐Ÿ˜Œ๐Ÿ˜ช als๐Ÿ˜‡)o, but, as a real ๐Ÿคฃ๐Ÿ˜€dis%๐Ÿ˜๐Ÿ˜๐Ÿ˜ดas๐Ÿ˜๐Ÿ˜๐Ÿ˜€๐Ÿ˜…/ter#๐Ÿ˜‚ Yugosla#+via i]s also de*๐Ÿ˜๐Ÿ˜ad, ๐Ÿ˜‡`?as a $๐Ÿ˜—๐Ÿ˜’country+๐Ÿคช๐Ÿ˜™, but as an ๐Ÿ˜„๐Ÿค”artistic vis%_๐Ÿ™‚๐Ÿ™‚ion of natio๐Ÿ˜n's ?brotherhood,๐Ÿ™ƒ:๐Ÿ˜ ๐Ÿค”too.ใ€€ใ€€So,๐Ÿค‘:๐Ÿ™ƒ ,#๐Ÿคฃ๐Ÿ˜—t๐Ÿคจ ๐Ÿ˜™he a๐Ÿ˜ƒ/rt f๐Ÿ˜›๐Ÿ˜ถ๐Ÿ˜Œ]alls apa=๐Ÿ˜ท๐Ÿ™‚๐Ÿ˜‹rt