没有]和解

剧情简介

The :subt itle of$$ Je
an-Marie Straub a;^nd Danièle Huillet’s first.`;= fea$ture, fro@.m #1965, “O
nly
 V;
iolence #^Helps Where Violence Re[!^)igns,” suggests th, _+e fie.?
rce politi cal progr+#am+ evoked by thei_r rigorous aesthe,t  ic. `The p$$retext of; the film, !set in Cologne, is Heinrich Böll’s novel /$“Bil-* liards at Ha+?lf ; P ,$as;t Ni+]+ne,*” whi_,`ch they strip d ?ow,n to a handful of sta/rk e@vents and film wi+! !th a con(]front!`ational *(/angul^a=;rity akin to$, Bart$ók’s musi-c =$that ad(orns the sou?ndtrack. The su:btles.t`` of c#ues /accompany t\he sto^ry’s @[$c;om-:plex flashbacks%. Th)e middle-a]
%ged Robert_. .Fähmel t $`ells a young hote#_l bell^[ ,ho(@.p ([of ]^;persecutio` ns under th+ e Third Reich; his*\+ # .el%derl.y_  father, Heinrich, an archi
$te
#c!_t famed for a loca
#l ab;*]bey, recalls the militaris(?m of ^#t=he First World Wa:$,r=, when his wife` %, ^#Joha :nn a, incurred troubl,e for insu/lting the Kaise; _r. A third$:-gene=rati on Fähmel is ? c`o\[
^n)/)sidering a[r
chitecture, just as th#*e exiled broth* er !;%of Robert’s la+.-te wife, returns+ @;, only t\*o be +-met by their @@for*mer@` torturer, now a` West G$erman of(-fi@ *cial#` taking par)$t i+n a cele^
_brator$y parad];
e ![o f war v ,etera;n$,*[s. :];Stra
ub @
and Huille^t *] make _,the :`la$yer!(@s-( of his\tory live in the pr =e^:sent te!(;nse)\, ``/which -they jud*ge$ se!=verely

. The tamped-down acti$/ng and the sp,=are, tense v !isual rhetoric suggest a s+tate /
of moral cris is as well @/as the response—as much in s!\ty-le as in su@_bstance—that it (`de
mands.