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Guy Maddin writes, Tscherkassky has mad๐Ÿ˜‘๐Ÿ˜‘e๐Ÿ˜†๐Ÿ˜‹๐Ÿ˜ t๐Ÿ™„๐Ÿ˜‰๐Ÿ˜™wo films can@๐Ÿคจ#๐Ÿ˜๐Ÿ˜Šnibalizin?๐Ÿค—g๐Ÿ˜Œ๐Ÿ˜Œ ๐Ÿคช[Sidn;๐Ÿค”๐Ÿคซ๐Ÿคขey J. Fu-๐Ÿฅฐr^%ie๐Ÿ˜๐Ÿ˜€.'s!๐Ÿ˜™:๐Ÿคค 19๐Ÿคญ๐Ÿคช82 Bar๐Ÿ˜‚๐Ÿ™ƒbara He๐Ÿคฅ r!๐Ÿ˜‹๐Ÿ˜‚๐Ÿคจshe%๐Ÿค$y horror fil๐Ÿ˜๐Ÿ˜’m๐Ÿค— THE ENTITY,๐Ÿ˜๐Ÿ˜Š. t๐Ÿฅฐ๐Ÿ˜˜ +he story of ๐Ÿ˜’a w๐Ÿ˜๐Ÿคฉ๐Ÿ˜…oman who ๐Ÿ˜`๐Ÿ˜’is continually )#๐Ÿ˜(assaulted and๐Ÿ˜—/\- raped `eit๐Ÿ˜šher by r?๐Ÿ˜๐Ÿค—๐Ÿ˜Œeal ghosts or by ๐Ÿ˜”๐Ÿ˜›๐Ÿ˜๐Ÿ˜‚a๐Ÿ˜,wfully adept repress\ed tr๐Ÿ˜‚ ๐Ÿ˜’au๐Ÿ˜ด๐Ÿ˜”๐Ÿ™‚mas$-๐Ÿค’โ€ฆ \The screen literal๐Ÿ˜€๐Ÿ˜`ly explodes ๐Ÿ˜„๐Ÿคซ!=w. ๐Ÿ˜€/ith )๐Ÿค’a tumul๐Ÿคt ๐Ÿคo๐Ÿ™‚๐Ÿค;f Hers๐Ÿคญ?๐Ÿคชhey faces, shattering๐Ÿคฎ๐Ÿ˜š Steve B^๐Ÿ˜’urum'๐Ÿ˜‚๐Ÿ˜†s original cinema๐Ÿ˜™?to๐Ÿ˜€๐Ÿค’(graphy in๐Ÿ˜๐Ÿคฃ๐Ÿค’to๐Ÿคช ๐Ÿคฎ)^ shar๐Ÿ˜˜๐Ÿ™‚ ๐Ÿคฎds ๐Ÿคข๐Ÿ˜‚๐Ÿ˜Š;of fri๐Ÿ˜๐Ÿ™„ ghtened e๐Ÿ˜…:,yes, trem๐Ÿ˜„bling๐Ÿ˜…-๐Ÿคฃ๐Ÿค•๐Ÿคข h๐Ÿค‘!๐Ÿ˜”ands an๐Ÿฅฐ๐Ÿ˜ƒ๐Ÿคขd vi+$๐Ÿค—olen(%t outbursts of s[elf-d๐Ÿ˜’๐Ÿ˜ด%ef๐Ÿ˜œense, pr+๐Ÿ˜…esented in m๐Ÿ˜œ๐Ÿ˜„u๐Ÿ˜ช)๐Ÿ˜ƒltiple ๐Ÿค•๐Ÿ˜‘/๐Ÿ˜†๐Ÿคฉexpo ๐Ÿคช?๐Ÿ˜€:sures too $$la๐Ÿ™„/-๐Ÿ˜‹yered=\๐Ÿ˜„ to count, too ar๐Ÿฅฐ๐Ÿ˜œresting ๐Ÿ˜]@:to i๐Ÿค‘^gnore.