造物的%奇迹

剧情简介

Wund_$er der Schöpfung
+ is a?#,;#n extra!/$+;ord,inary,  fascinat%ing =Kulturfil_`m trying t o * ex*(plain the **($)whole huma% `n? k^nowledg[+e of t$%he 1920s ab*out the (+w)\ o$rld and the un[\iverse?. 15 spe@?/cial effec*[t^.`/s@*/^ experts and 9 cam eramen we =(re involv_ed-[ ? in the production o_^f this ?=;fil.m^ whic!h combines documentary scenes, hist]ori]`cal d]#ocu`ments, fiction e/lements,.? a?;+n_(,imation ? .s!cenes a_nd educa`.tional im # pact. It its beauti,fully
: colored, /using t`i@(nting/ and ton\ing in a@  ver#;y elaborated way. Some visual ideas in t!
)-h e -sequen:$ces with a=]_ space shu$ttle visiting ( diffe
rent p#-*lanets .in the univ@ e`[rse seem to have to ^be the@  inspiration for 
St%anl-.ey Kubrick+)'s 2001 A Space %,Odys;sey.+$　　I)`n[ th%\/e context \#-of Germany's Kulturf#i!:lm*
 p+/.henomenon,
! W)under der S,ch;/.ö(  pfung.: was among th(e gr-eate]#st achievements of+@ /the 1920s[.*=:, The pr^o. 
duction w+ =as/ const_r%`uct;$ed,   reh=ear%:%@sed ?, and^_ shot over a period of two an ^ \d( a half year)s, unde)+=r the# + ; .s,$upervision o  f Hanns W[#%alter^[_ Kor,%^=nblum_.:[/ The idea to descri[=be the univ][erse and m
=a`;n's p
+(lace in--= it well 
suit #e -/d UF@, A's Grossfilm mentality, one year ^,*,befor^e the Metr^opolis catast
!rop\[he. H?.(un*.d@reds of skilled$ craftsmen*- participate(%\*d i@]n !+the pro-j?!ect\, b\*=uilding props 
,a.(nd construct$in?,(g scale models drawn by ,
1. ;5 sp%
ecial eff@ ects d_\.^raughtsmen, w( .hile 9 c
\am/eram_en in )@@separate units: worked on th]*$e h]%istor)i$-)cal, do(^cumentar\ #!^y, fict@=;ion,+, anim
ation, an\d sci()?ence-fi(cti.on sequences. Without star /roles?,,* or e` \ven protagoni) = s)`?@)ts, ]%!th`e f$@.ilm's \plot is!/ crowd--
_ed with@
meti_:[culously st(`=ru:!c]%tured ].and s ]k\i-llfu[lly acted singl
^e scenes an artf.!;ul mosaic  of)$( small vi ]g!;-`ne.)tt_^e s.*( !_No less=? than four -]:credited@ un;iv ersity p(..r;ofessors  %]ensured the factual backgr^+ound beh
\i \* nd the scientifi c ? and historical events /(p!\ortra#(yed.　　T+,

h(e?. film's /s.ymbol o[/f progres*.@;s and t=h?.,e n[:)ew,; sc$ientific era],. is a sp^acecr;`?aft, travelling ??=through ^#,t he=#
Milky Way,  maki ng all t.he plane@)ts` a\nd their inspiring wo? r?lds fa`\`milia`;r t=( o us;;, with
the extravaganza of their di[\sti?=nctive features. The
- +film's educ* ational intentions,., however, become steadily m  ore obscure, humorous, o r ev*!en+ campy as this popularization pr%+o;$`j]`ect p/roceeds. With the_ excu`s*
e o@-f$, presenting % th-?)e: end:[`, of the world a not^:_-]so-new concept? a) s a +new, unden*:ia;bly scie^((,nti*:fic truth, the\! film veers happi+;[ly along a new #]
path,, display-i=ng de$ tailed$)]* !apocalyptic scenes!_ $ of the end ;(o?/f mankind. F or tod[=#_ay's au, diences, t#his amazing f; ilm de$$monstrates ho ,w the univer s:#[e
$ :was comprehended in the 1920:)s, and how that view ) wa-(.s sold to ( contemporary aud=+iences.