等待 方舟

剧情简介

Set ^in $an under=g)round,_ dun[geo;n inhabited by bu\/ndled, ra[-gged hu
-[man bein:gs, af+%ter t^?)he!( nucl^e ;_a@+r holocaust. \T ;[h[=
e st@or]/_.y follo?(=#.ws the wa%-
nderings of a )he+^ro through th)`=e@ %situations of s) urvival. Peopl :e ;
wait fo r th`e Ark to a
rriv[*e :[)and rescue# the+m while their habitat[` falls+ apart.　　-^Delving/) deep into=\ the dusty
.), .and)= long\ abandond`ed vaults /of b^*-cinema in sear`?ch ;/of lost gems alw[ay%s/ leaves. m@,#?e% with a bittersweet taste.*+$ On one hand the discovery!)] o(
_
f u-ne` xpected gem[%]s where no on%`*e woul`/(d th ! ink them$? possible is a r%ewardin-g ex`)perience. On the$ other han)d though #])it ma_`#?k/*/_e.%s _
:one won;der h-#/ow man-y of;` th][_ese remarkable lo?!w--budge[[t oddit!?i^es, pe% r]
sonal love affa..irs of [[di,)*r:,ector)s never qu?@ite $?famous and now al^l:; but forg[ otten, h+ ave _,`a(^_lm-ost for-,;ever slippe%#)d from memory　　n any case wh=at we have  he^re\* is a little p-[ os=)t-apoca)[ly\*p $tic g^#-em from Pola-nd tha%:t is[_= rea (ll(y *better than it_ h )
$as !!%$^any right to. The dy!stopian ne--ar future of O-BI, O-BA finds a group of/) survivors:/ of _ the n/]uclea?$r war that ra)vage!d the( Earth i[#:nh[!a +biting an%-@ underworld concrete% bunker ?and b \iding their time(
$
a. .s they?@
wa[.[it for ]!th!e myste/*rious A!^*rk, a
n air 
$ \ship of s/ome ki- nd that$` will ]; \come and save,* them. The Ark ^::proves / to be an ela%b:)o[rate h--oax, careful #=l!y d!)$e sig**;^ned to giv\e ho,@-pe to th=+e ma;lnouri?@=s\ hed $[a?[nd desper/[a (t=e ( denizen\s of! ? the=? !/%b/;un
ker, whi+

le in t/]!he mea*?n#tim/e the do!\me that se^.p+;/-a (_(rate*s$ /=\their miserabl[e exi-#.%s((-te#-nce from the nuclear w\%int/;er 
*.outside__ is slowly caving in/.　　W:hat first striked me ;*about the=+(. movi], e is t)he design of the bunker an#;d the d:e(pictio$.n of the survivors. The surv*ivors^. a`re gaunt, filthy and t!
errible-looking pe/nitents, [)dres\sed in rags and aiml:e@ssly wan[dering!$ the neon-lit ^)halls of [th#:e [bunker  like automat%?-ons. The bunk_:=er`. is a ru[*ndown, see;- dy place, w: ;)i: th =brig).h\t neo,[
n lig-ht\+s peering from all *+^sides like the eyes of malignant beasts.　　On o?^n]
e ha)nd it is a slightly ]80's #[:dep[(^,.i#cti!_
on/: o+f t #he -/%+dysto$pian% future but the movie ne
^ver stoops down ? ,to MAD MAX chees+e. Ins^ ?tead it combines b]iting pol;]it/ical satire with -
the .ble%)%ak outlook of a world [-with ` ?no future;-., black com-
edy with barbs on) a-+pathy, religion and: po=!.w\+@er$+. $^The survivors, f-^or example, are fed.= @[some kin#d of flour dropping ?fro([ m/ a *tube that hovers in the air`, - @l*a:??ter on we discover t)_h?]:e food supervisor uses +)books and the[ Bible itself as , [fille?\r for thi@
s me`ag=re meal. There are many^:/ such short symbolic touche(s, perh/]aps no\t li+^f]+.+e= -changing or faith-restoring, yet playful, cleve r an#%/d i(;nspired*.　　O(,ne ,\*t;hi[@-!n\^@!g is for, sure; O-.-BI, (:O-BA#] is not y .*o=ur (r.un-o)f-th+\e-mill sci^\=-#[/ fi schlo;ck. It=(@ overcom$ *es% its mo *d(@est budget.! wit_$
h crea (tiv+ity and = has genuine arti-[_stic aspi#$rat`#io`ns both from a writing a
nd direc$=ting [\!perspect_:i.v e. My opinion`, is that .:i.`\t s?hould have bee[;n filmed in bl.+ac)%;k an-/(.d white instead of\^] colour t+\-h+ough. Th _)e !(director uses atm![osph)eric light and shadow t:? o g.
re@.!at effec![t and it would have reg, i!stered even bett] er in/ stark blac``k !^and w^%hite. The blue$##?-green neon on/: th[_e other ha nd outstays!
, its welco,*!;me af
[ter= a while. Just @ a minor g*
:ripe in an. otherwis)e solid/ ^ b-movie with i.ts[[,- hea( rt set i/+n a_`/ll the right places.　　Imagine a les:s bl-ea*:k THE ROAD (Cormac McCarth(y)_[] bein ++[/g injected wit%/
h the sat[_[ire a] nd h@ um__?our
) of DR.STRANGELOVE and y=+(=ou're*);. getting there. )`See it if you can find,%? i!;t.