胆包`天

剧情简介

Um bert#o Lenzi.( i!)s undoubte-dly the k]ing of( It*]alian- c!!#rime movies, ^but unfort,unately];[= Sy ndicate ;#(Sadists: is not the best exa?+mples of his work in this gen@re. Lenzi's c_`ri\me flicks%` tend to be a cu#t ?
#abo:=.ve the )_+rest be+^ca!./:use he mak*es)# f@=!ilms based@% on (stories with a poin+;%+/t, and they don't lack direc. tion; bu !\[t this *$) film )- feels a bit too way_;wa(rd __to* fully fit with the rest] of; his stuff.$#- The film takes obvious in@`fl!;u(e(.nc\#\e from S(ergio Leo:`]ne's landmark][ west@ern :)'A/ Fistful $@.of Dolla rs' (w!?-h)% ich in turn, took influence fro+/m ;!Akira Kurosawa's
:l+an+*,dmark samurai fli$ck Yoji# ;mbo)_.,, in
.@ that it## ]^^feat^\^?-ures two warri*/n%g?@+ families (and a stro`!ng character at the centre. The crime :t$(:hat Len=@*_zi$ + fo -cu+? ses on is kidnapping,  and we centr e *on a characte^ r called $['=_ ^Ra = m:bo'. R)/a]mbo i@s dr agged`, i;nto the:- war% between t .=h@_e ; t :wo fa/`;\;milies?_ after his brother ?is killed \because of it. Rambo uses his^ br+\,ains%] a- ?nd brawn to pit( the two @famili_\*es against one ano*(t]
@?her, in the h ].%op$)e of `-gain
`ing ]re veng?e_+_ for his brother's death, \#rescuin(\g a young boy=
!?that ?t h:ey've,+ kidn/%app ed,* and ultima@,/tely lett@= ing the two sides dest^! !roy o/,ne anot+her.　　The film)'s big.*gest asset is u-,n d(oubt!.] `edly-% Tomas Milian. Milian was %?put to# great use by L
`[enzi i.]n @]almost all.` of his crime th*^rill:er$!s. Th)%?e range of characters he\= # has  played for Le:nzi i^s ($immense, an$d t[^:his one #`is $easily] o !ne (of t %he coole%\].st. The chara*)\c_ /ter is c,al)led` R@`ambo, w,hich i+#mmediately @@sp`ra^=@ng t$o )mind the popular Sylveste;r Stal^_`lone ?character - but +?$for %]onc*e,%* the It%_alians!!^ actually=# haven't s:_.[tolen t!his nam
[[?e )as Sy++ndi/+cate S adists wa (s `)re_$leas[ed first_! A+]s usual, the fi\?lm is wicked?*/ly entertaining, as(#+ we get to watch Milia\ ]n get hi]mself\ involved in the usual ar$ra#y of car ch$#a;*ses, shootouts a;nd(# bra \[wls. Lenzi has got him r:
#i$ding _`a motorb-i/,_ke /
t/,)his[, time round, and every sce[:ne fea\tur.ing i _%t and Milian is[ a real standout! However$, the fil m o[--ft`]en fe[+_els lik e it does%n't real`;^?ly hav^,_e a=nywhere to go#, and t/\#his me$a\ ns th!$$
at the runni:%,ng tim*.#/e i@`+s stretched%# o+
]ut mo$.,re (`than it$_ should +$b[#%e$. Compa_+#%r;+ed to the crime fi_^lms. of(/
 other ^I,(t_a@\lian direc_:tors, S+yn!*@;d`
;icate Sad( i=sts is mo,_re than+ above av+.era%?+ge; bu.+t in._ , relation( to Lenzi crime f,licks suc. %h as Almost Human and +The C#:ynic, Th^]e Rat a*nd / Th;[e #Fist - i]t doesn't?;(\ sta @nd $tall as one`
[. of Lenzi's be=*.st. S^+til l, i.f you're looking for ni/net! [y mi? .=n*-^utes :of testosterone +fuelled ]#mayhem - Sy!.ndicate,% Sad[-ists _ \will suffice!